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The Optical Flow feature in Premiere Pro uses frame analyses and pixel motion estimation to create brand new video frames, resulting in smoother speed changes, time-remapping, and frame-rate conversion.

Using the Source Monitor and Program Monitor.

Latest plugins from third-party developers.

Installing plugins and extensions in Premiere Pro.

Troubleshoot issues related to playback and performance in Premiere Pro.

How do I manage the Media Cache in Premiere Pro?.

Green and pink video in Premiere Pro or Premiere Rush.

Unable to migrate settings after updating Premiere Pro.

Check if your system is compatible with Premiere Pro.

Improving Performance and Troubleshooting.

Best Practices: Working with native formats.

Best Practices: Learning from broadcast production.

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Consolidate, transcode, and archive projects.Best Practices: Working with Productions.How clips work across projects in a Production.View auto saves and versions of Team Projects.Share and manage changes with collaborators.Get started with collaborative video editing.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.Get creative with color using Lumetri looks.Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.

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Upgrade Legacy titles to Source Graphics.Best Practices: Faster graphics workflows.

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Download language packs for transcription.

Use data-driven Motion Graphics templates.

Replace images or videos in Motion Graphics templates.

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Install and use Motion Graphics templates.

Add Responsive Design features to your graphics.

Change the appearance of text and shapes.Overview of the Essential Graphics panel.Automatically reframe video for different social media channels.Overview of video effects and transitions.Set up and use Head Mounted Display for immersive video in Premiere Pro.Measure audio using the Loudness Radar effect.Advanced Audio - Submixes, downmixing, and routing.Monitor clip volume and pan using Audio Clip Mixer.Edit, repair, and improve audio using Essential Sound panel.Synchronizing audio and video with Merge Clips.Adjust Trimming and Playback preferences.Edit from sequences loaded into the Source Monitor.Find, select, and group clips in a sequence.Set In and Out points in the Source Monitor.Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.Importing AAF project files from Avid Media Composer.Use Frame.io with Premiere Pro and After Effects.Use Premiere Pro in a dual-monitor setup.Best Practices: Create your own project templates.

Open and edit Premiere Rush projects in Premiere Pro.

Backward compatibility of Premiere Pro projects.

GPU Accelerated Rendering & Hardware Encoding/Decoding.

Hardware and operating system requirements.

Best practices for updating Premiere Pro.

(Another alternative: See my post further down about the Gifski app, which works better than anything Adobe has. If nothing gets the file size down far enough, that means you should post it somewhere as a normal video, and embed that into the Twitter post. If these changes compromise the quality of the video too much, you have run into the limitations of the creaky old 1990s animated GIF format, which was never designed for continuous tone video. But for now, this is the only good place to properly optimize an animated GIF in Adobe software, that I know of. Making adjustments may be slow because Save for Web (Legacy) is very old code. Watch the estimated file size in the bottom left corner to see which changes reduce the file size the most.

Reduce the number of colors in the GIF palette.

Now apply standard GIF optimization techniques, which I won’t go into in detail but are things like:.

That displays the GIF optimization controls.

Choose File > Export > Save for Web (Legacy).

Open the Timeline panel (Window > Timeline), and in the Timeline panel menu, choose Set Timeline Frame Rate.

If the animated GIF still isn’t small enough, you have exhausted what the Adobe video applications can do here, so you have to get it done in Photoshop: These can all be done in the Export Settings dialog box for Premiere Pro or Media Encoder.

Reduce the frame size (pixel dimensions).

If that Quality slider doesn’t reduce the size enough, try these: All they offer is just one Quality slider.

They just don’t provide enough detailed control over animated GIF options.

I have not seen a reliable way to reduce file size of an animated GIF when exporting directly from Premiere Pro or Adobe Media Encoder.